AIDEZ LES MISANTHROPES

Autores

  • Ruud Kaulingfreks

DOI:

https://doi.org/10.21721/p2p.2017v3n2.p197-213

Resumo

In this paper I want to explore into the dark side of art. There has been a growing interest in art from the field of organization studies.  Since the publication of Strati’s seminal work (1999) organization studies have embraced art as a fruitful way of studying organizations. Aesthetics helps us to critically understand organizations and uncovers aspects of organization that till now we have overseen. Organizations have an aesthetic quality where sensibility and emotions play an important role. Although I am in no way opposed to an aesthetic study of organizations. I want to argue that when dealing with art we have to consider the dark side of art. Art is in no way something just related to beauty and sensible wellbeing. Organization aesthetics needs to be careful not to fall into a romantic conception of art as a transcendental field enriching our lives, filling us with joy and giving us insight in life. Art also has a dark side. It disorients us, makes us uneasy. Art can make us very gloomy and take away joy. Art shows us a side of life that has by no means moral richness and does not contribute to joy and happiness. After going into the disturbing aspects of art I will examine misanthropy in art and point out some consequences for organizations and organization studies.

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Referências

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Bauman, Zygmunt (1993) Postmodern thics Oxford: Blackwell

Benjamin, Walter (1982) The work of art in the age of mechanical reproduction, in Illuminations p 217-251. London: Jonathan Cape

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Carr, Adrian and Philip Hancock (2003) Art and Aesthetics at Work Houndsmill: Palgrave.

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Kaulingfreks, Ruud (1989) Art of the Untruth? On post modern visual art, in Proceedings Xith International Congress of Aesthetics Nottingham: University of Nottingham Press.

Lévinas, Emmanuel (1981) Otherwise than Being, or Beyond Essence The Hague: Martinus Nijhof.

Linstead, Steven and Heather Höpfl (2000) The Aesthetics of Organization London: Sage.

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Scutenaire, Louis (1948) Magritte, Antwerpen: de Sikkel.

Strati, Antonio (1999) Organization and Aesthetics London:Sage.

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____________________________________________________________

ALER, Jan. De waarheid van de kunst. Meppel: Boom. 1996.

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BENJAMIN, Walter.The work of art in the age of mechanical reproduction. In: Illuminations. London: Jonathan Cap, 1982, p. 217-251.

BRETON, André. Nadja. Paris: NRF, 1928.

CARR, Adrian; HANCOCK, Philip. Art and Aesthetics at Work. Houndsmill: Palgrave, 2003.

CIORAN, E. M. The temptation to exist. Chicago: University of Chicago Press, 1968.

DELEUZE, Gilles. Francis Bacon, Logique de la Sensation. Paris: La différence, 1984.

GADAMER, Hans Georg. Die Aktualität des Schönen. Stuttgart: Philip Reclam, 1977.

HEIDEGGER, Martin. Sein und Zeit, Tübingen: Max Niemeyer, 1927.

_______. Was ist Metaphysik. Frankfurt a.m: Vittorio Klostermann, 1955.

_______. Basic Writings. (The origin of the work of Art) London: Routledge, 1978.

_______. Being and Time. Oxford: Blackwell, 1980.

KANT, Immanuel. Kritik der Urteilskraft: in Werke in zwölf Bände. (band 10) Frankfurt a.m: Suhrkamp, 1968, 1981.

KASTNER, Eberard. Aufstand der Dinge. Frankfurt a.m.: Suhrkamp, 1976.

KAULINGFREKS, Ruud. Meneer Iedereen, over het denken van René Magritte. Nijmegen: SUN, 1984.

_______.Art of the Untruth? On post modern visual art. In: Proceedings Xith International Congress of Aesthetics. Nottingham: University of Nottingham Press, 1989.

LÉVINAS, Emmanuel. Otherwise than Being, or Beyond Essence. The Hague: Martinus Nijhof, 1981.

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MOLIÈRE. Le Misanthrope an other plays. London: Pinguin classics, 2000.

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SCUTENAIRE, Louis. Magritte. Antwerpen: de Sikkel. 1948

STRATI, Antonio. Organization and Aesthetics. London: Sage, 1999.

VATTIMO, Gianni. The transparent Society. Cambridge: Polity Press, 1992.

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Publicado

26/03/2017

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Como Citar

KAULINGFREKS, Ruud. AIDEZ LES MISANTHROPES. P2P E INOVAÇÃO, Rio de Janeiro, RJ, v. 3, n. 2, p. 197–213, 2017. DOI: 10.21721/p2p.2017v3n2.p197-213. Disponível em: https://revista.ibict.br/p2p/article/view/3820. Acesso em: 4 nov. 2024.

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