This text looks into the similarities among dance, videodance and cinema to discuss the matter of authorship. From a brief historiography of these artistic manifestations, it suggests possible understandings of hybridity on current developments in the arts, and the perspectives of Vilem Flusser, Roland Barthes and Walter Benjamin to think about the art work.
Authorship, Dance, Cinema, Videodance
Platform and workflow by OJS/PKP
Desenvolvido por Commscientia