Technology, experience and memory
DOI:
https://doi.org/10.18617/liinc.v1i2.190Keywords:
Technology, Experience, Memory, Humanism, Post humanismAbstract
The article investigates the structuration of a new culture of memory which inverts the
metaphysical logic which has informed the understanding of the relation between technology and
experience in the social sciences. With recent developments in information and life technologies,
the conception of the human body as something which is constituted on the margin of the
technological apparatus has declined in credibility. This way, one of the principal projects of
western metaphysics, the structuration of a field of experience and knowledge free of technical
supports, is thwarted in its technophobic humanism. Starting from an appreciation of the short
story “Memento mori”, of Jonathan Nolan, and the film Memento, by Christopher Nolan, I
analyze the contemporary relation between memory and writing, body and archive. The objective
is to perceive the tensions and oscillations implicit in the attempt to establish an intentionally post
human and post-organic mnemotechnic.
References
BENJAMIN, Walter. A obra de arte na era da reprodutibilidade técnica. In: ______. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. 7. ed. São Paulo: Brasiliense, 1994.
CAYGILL, Howard. Meno and the internet: between memory and the archive. History of the Human Sciences, v.12, n. 2, p. 1-11, 1999.
______. Walter Benjamin: the colour of experience. London: Routledge, 1998.
DERRIDA, Jacques. A farmácia de Platão. 2. ed. São Paulo: Iluminuras, 1997.
______. Gramatologia. 2. ed. São Paulo: Perspectiva, 1999.
______. Mal de arquivo: uma impressão freudiana. Rio de Janeiro: Relume Dumará, 2001.
FERREIRA, Jonatas. A condição pós-humana: ou “como pular sobre nossa própria sombra”. Política & Trabalho, João Pessoa, n. 21, 2004.
FERREIRA, Jonatas; AMARAL JR., Aécio. Memória eletrônica e desterritorialização. Política & Sociedade, Florianópolis, v. 1, n. 4, 2004.
GAGNEBIN, Jeanne Marie. Sete aulas sobre linguagem, memória e história. Rio de Janeiro: Imago, 1997.
HABERMAS, Jürgen. O futuro da natureza humana: a caminho de uma eugenia liberal? São Paulo: Martins Fontes, 2004.
HARAWAY, Donna J. Ciencia, cyborgs y mujeres: la reinvención de la naturaleza. Madrid: Ediciones Cátedra, 1991.
HAYLES, N. Katherine. How we became posthuman: virtual bodies in cybernetics, literature, and informatics. Chicago: The University of Chicago Press, 1999.
HEIDEGGER, Martin. A questão da técnica. In: ______. Ensaios e conferências. 2. ed. Petrópolis Vozes, 2002.
IHDE, Don. Incorporando a matéria: fenomenologia e filosofia da tecnologia. Política & Trabalho, João Pessoa, n. 21, 2004.
MARCUSE, Herbert. A ideologia da sociedade industrial: o homem unidimensional. Rio de Janeiro: J. Zahar, 1973.
POSTER, Mark. The mode of information: poststructuralism and social context. Cambridge: Polity Press, 1990.
WEINRICH, Harald. Lete: arte e crítica do esquecimento. Rio de Janeiro: Civilização Brasileira, 2001.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Aécio Amaral Jr

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant Liinc em Revista the right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License.
The authors have permission and are encouraged to deposit their manuscripts and versios of record (VoR) in their personal web pages or institutional repositories, generic repositories etc., before (pre-print) or after (post-print) the publication in Liinc em Revista, according to its open access depositing policy registered in the Directory of Editorial Policies of Brazilian Journals (DIADORIM), kindly providing a link to the article published on Liinc's website.
Liinc em Revista, published by Instituto Brasileiro de Informação em Ciência e Tecnologia, is licensed under a Creative Commons Attribution 4.0 International License – CC BY 4.0