Insurgent esthetics and multitude-media
DOI:
https://doi.org/10.18617/liinc.v10i1.704Keywords:
Mediactivism, Midia Ninja, Aesthetic, Audiovisual networksAbstract
In the June Journeys of 2013 we saw an emergence of new forms of mediactivism in which language and experimentation create another distribution of the sensitive . An experiment on the flow which invents time and space , a poetics of flux and the event. To express the " Scream ", wrote Jacques Ranciere, as much as taking ownership of the word is the way to destabilize the distribution of the sensitive and to produce a displacement of desires and to constitute the multitude as a political actor. The importance of online media , free media and destabilizing mediactivists seems decisive in the architecture of a new form of political experience . A multitude capable of self-government based on polycentric and distributed action, crossed by frequently conflicting powers, constitutes a public networked sphere - autonomous with regard to traditional media and political systems . An analysis of live broadcasting by Media Ninja, its relation with the processes of cinema and its filiation, and part of the so-called P2P revolutions or distributed revolutions in which the heterogeneity of the multitude emerges in synergy with self-organization processes (autopoiesis ) of networks is attempted in this article.
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