This paper discusses the interlocution of the meanings that surround the relationship of communication among the areas of Information and Knowledge Organization, as well as studies about memory and the production of artworks via a social environment. It discusses, through a literature review, the bonds spread in the materiality of the registers of knowledge. It also describes their role as a memory document constructed based upon the public and personal impressions of the social individuals that allow the comprehension of the perspectives on which the communication between those concepts happen, opening a field for discussion and research. All things considered, the main spheres of meaning that bound both areas come from the possibility of the development of treatment mechanisms for the intellectual and artistic production. While the registers of information, the ones that are built with intrinsic memory values, are responsible for making the comprehension of the past, present and future possible, as well as the production of new understandings and the development of human knowledge.